My Sister's 1880 Birthday Dress (McCall's 8189 & 8191)

 My sister's birthday happened to fall just a few weeks after I finished my ruffly, gingham, 1870's bustle dress. Since my mind was on bustle dresses I decided that was what my sister needed for her birthday! 

If she had a bustle dress we could dress up together and go places. It would be perfect! To my pattern and fabric stashes I went. . .

I had almost 12 yards of this tan, orange, and blue medallion print cotton, picked up on clearance at Walmart several years ago. 

Lots of fabric in a print that resembled 1880's prints I've seen. That would do! Now onto that pattern. . .

I did have several bustle dress patterns in my stash, but right around that time McCall's released a new natural form era (early 1880's, right between the fluffy bustles of the 1870's and huge bustles of the later 1880's) costume pattern, designed by Angela Clayton. It was pretty! I couldn't resist. . .

The patterns in my stash got pushed to the side. McCall's patterns went on sale and I snagged the bodice (8189) and skirt (8191) pattern and got started.

I loved the way the petersham ribbon worked to trim my bustle dress, so I searched Etsy and found a couple rolls of different widths of blue vintage petersham ribbon at a decent price and ordered those to trim this dress with.

I went through my lace stash and found some narrow ivory ruffled lace to complete the trimmings with.

Materials gathered, fabric cut out, sewing began.

I quickly deviated from the pattern.

Rather than ruche the waist at the center front with machine sewing, I did it by hand. I thought that would look nicer, and I had time to do it, so why not?

Rather than sewing hooks and eyes down the front of the bodice to fasten it up with, and just adding buttons on top for decoration, I did functioning buttons and button holes down the front.

This project was the perfect opportunity to use up a set of metal buttons I found on clearance at Wal-Mart years ago. 

The most noticeable change I made was to leave the bodice open below the buttons, rather than to sew it up the way the pattern recommended.

I found examples of similar natural form era bodices open over the skirt like this online. I liked to look of it, and I thought it would be way easier to put the bodice on this way.

As far as the skirt went, I changed that up a bit too. I did much less ruching than the pattern recommended so the bottom ruffle was nice and wide.

I'm very pleased with the changes I made and how the finished garment turned out.

When my sister unwrapped the dress on her birthday she was surprised - and absolutely thrilled!!

She ran to put it on immediately!!

Ruffles, lace, ribbon, a large bow in the back.

What is there not to love??

`

My only complaint is this dress doesn't fit my sister as well as I'd like it too. 

Since this was a gift, I couldn't do fittings on my sister while making the dress, and it shows.

I went off the pattern measurements - both the size chart and the finished garment measurements (few that there were), and the dress most certainly came out on the large side all around. My sister has wide shoulders, just like me. Usually I need to alter patterns to fit her through the shoulders, however I did not alter these shoulders at all, and they came out a touch too wide. Quite surprising.

My friend Historic Thimble made this dress for herself, and also had issues with it running large. So that's just the way this particular pattern runs. (Side note: If you want to see this pattern sewn up the was the pattern was designed, with all the skirt ruching and the bodice front skirt closed, check out her version here - it's lovely! And she altered it to fit herself beautifully!!)

Of course, I could always take my sister's dress in a bit, I just haven't bothered to do so. I've never enjoyed going back to alter something I've made, and no longer living in the same house, or even the same town, as my sister, makes things even more inconvenient.

There are worse things than a slightly too-big dress, but if it ever becomes important to my sister for the dress to fit better, I'll make it happen.

My sister has worn the dress as-is a handful of times.

We both find it absolutely delightful to now have bustle dresses we can wear together - even if they are from different decades! My dress would have been quite out of style by the time her dress would have been in fashion.

But who cares about that now!

Finishing the Ruffly Gingham 1870's Bustle Dress

 4 days before the tea I intended to wear my first ever bustle dress to and I had a short list of things that needed to be done to make the dress wearable.

The bodice needed closures and a few finishing touches on the inside

The skirt needed closures and a ruffle.

Ok, so maybe the skirt didn't *need* a ruffle to be wearable, but it certainly wanted one. The more ruffles the better in the 1870's!

That said, I stated with the more obviously necessary bodice work before tackling the very much desired skirt ruffle.

I had a couple different, absolutely beautiful, sets of vintage black glass buttons. I counted and admired them all and selected a set to go down the front of my bodice. 

After careful consideration, I decided the best course of action for the integrity of the bodice and the old buttons would be to have the bodice fasten with hooks and eyes and sew the buttons over that, just for show.

For the first time ever on an entire garment, I decided to attempt to make thread eyes rather than sew on metal ones.

Once I got the hang of it, these thread eyes were actually pretty easy to make, the end result was very neat, tidy, and satisfying.

Once the hooks and eyes were on, I sewed 6 black buttons, with either a grape or a lilac motif (Which do you think it is?) down the front.

Several of the buttons had the wire shank slightly folded over on the back. The folded over shanks would actually help the buttons to lay flatter down the front of the bodice, since they wouldn't be going through buttonholes Thus, I folded over the remaining shanks to match.

The final step on the bodice was to finish off the inside with a twill tape waist tape.

All the seams on interlined portion of the bodice and on the underskirt are finished with the serger. 2 weeks to complete a bustle dress doesn't allow time for more historically accurate finishes. Functional, to keep this gauzy material from unraveling, was more important than "accurate". The seams in the overskirt portion of the bodice are finished with french seams.

There's boning (in the form of heavy duty zip-ties) at the side seams. The overskirt drapery is held up with buttons on the seams and twill tape attached at the waist. 

With the bodice finished, all that was left was the underskirt ruffle and closures.

The day before the tea I gathered and attached the ruffle. The morning of the tea I sewed hooks and eyes (metal this time, because I was out of time) to the skirt waistband. 

And with that, my very first bustle dress was done!!

I was ready for tea.

Followed by a trip to the History Museum.

This dress was delightfully fun to wear!

All ruffley and bustley!

It was just the thing for a late July tea and museum trip. . .

And a couple other summer outings later on. . .