Saturday, January 20, 2024

The Plaid Wool Fringed Shawl

 In the fall of 2019 I came up with a brilliant idea - I would make a shawl to wear with my new 1840's wool dress! A nice large woolen shawl, it could be worn with all sorts of different dresses from throughout the 19th century - it would be perfect!


I dove into my books to research shawls. If I was going to make this thing I was going to make it right! My family had a re-print of an 1890's Sears catalogue we'd recently picked up and I read all the descriptions of the shawls for sale in the catalogue.


60" by 60", plus fringe, most of the descriptions read. 

I went to my wool stash to see what my fabric options were. After rejecting several fabric cuts because either there wasn't enough yardage, or I had the fabric earmarked for something else, or I didn't like the plaid for this project, or the fabric was too narrow, I finally decided on a gray and red plaid wool I'd picked up from a thrift store for a couple bucks a few years earlier. (I picked it up at the same time I snagged the wool that became this skirt)


The fabric was a full 60" wide, and there was enough of it to cut a full 60" square and still have some fabric left over. So I cut out my square. (And a few months later I used the leftover fabric to make my Hogwarts-inspired bonnet.) Now all I had to do was fringe it!


Now the "proper" way to fringe a shawl is to un-ravel the fabric for a couple inches all around the perimeter. But is that what I did in 2019? Oh no. I was unaware. I made my life much harder than that. Don't get me wrong, I did unravel fabric. . .


A lot of fabric, but. . .



It was not along the edges of my shawl.
I was worried that if I unraveled the edges that would reduce the dimensions too much, I really wanted that 60"x60" + fringe shawl, so I decided at add on fringe instead of unraveling my fabric.


 Along the two edges of my shawl that were not selvedge edges I sewed a very tight zig-zag on my sewing machine to keep the fabric from unraveling. Like I said, there would be absolutely no unraveling the edges of my shawl!


Then, I unraveled my fabric scraps, and cut my unraveled threads to a uniform length.


I sorted the threads by color, then threaded a couple at a time onto a large craft needle.


And I used the needle to thread the threads through the fabric along the edges of my shawl.


Then I knotted the little bunches of fringe in place. 
Making sure, of course, to match the fringe color with the color of the plaid at each location.



This way, when all was said and done, it would look like the fringe had been created by just unraveling the edges of the fabric.


Yep, just by unraveling the fabric, with a few extra steps thrown in.
Honestly, at the beginning it was pretty relaxing and fun, matching up the colors and knotting the fringe onto the shawl.



The completed sections of fringe were just so satisfying to look at!
I started the shawl on a Monday, thinking I'd have it done by that Saturday to wear to a Halloween party. (Thank you date stamps on photos and old blog posts to remind me of the details!)
I did not. In fact, one month later, I only had about 18" of the fringe done. 18" on one of four 60" sides. That's less than one-eighth of the way around the shawl! Barely more that one-sixteenth if my math is correct!


Unravel the fabric.


Cut the threads to the correct length, sort by color.


Knot onto the edge of the shawl and repeat. I definitely lost momentum. This "fringe the shawl" idea became very tedious. I wished I'd just unraveled the edges of my wool like a normal person! But it was too late to do that now. I'd started the shawl this way, I was going to finish it this way! I'm stubborn like that.



For the next 4 winters (2019/2020, 2020/2021, 2021/2022, and 2022/2023) I picked up the shawl between other projects and continued adding fringe. Honestly, knotting the fringe on wasn't too bad. It was the running out of fringe, or running out of one particular color of fringe, and having to unravel more fabric part that got annoying. 


Finally, a couple years in, I figured out a method that worked really well for me. Rather than knotting on the fringe one section at a time - dark gray, white, dark gray, red, dark gray, light gray, dark gray, red, dark gray, white, dark gray, lots of light gray, white, more light gray, and repeat (I bet it was tedious just reading that.) - and having to stop every time I ran out of of one particular color to unravel more, I would just work with one color at a time. I would knot on all of that color I had unraveled.


Then I would pick another color and knot on all of that color that I had unraveled.


Until I has whole sections filled in! (As time went on I also became less obsessive about making all the fringe the exact same length.)


I made some real progress with this method! And finally, last January, over three years after I began this "It should only take me 5 days of knotting on fringe in the evenings while watching TV to finish" project, I actually finished it, by knotting the final bunch of fringe - one strand of each color - onto the final corner of the shawl.


It was done. My big woolen shawl was finally, finally, finished and ready to wear with all the costumes. And what did I do with it?



 I put it away in the closet. After over 3 years I was tired of it. It took too much time!


This winter however? It's finally doing what it was made to do.


It pairs quite wonderfully with my 1890's wrapper (Which I wear around the house "just because" probably atleast once a week!) It's just the thing to throw on over the wrapper on mild winter days to run outside and do quick animal chores.


And on these very, very, cold winter days we've had recently, I've been wearing it even in the house, while sitting by the fire.


Despite the literal years it took me to make, I've very glad to have this thing - though I will never, never, make a shawl like this again!


Every single year I worked on this thing I picked a Historical Sew Monthly theme it would fit if I could get it done in time. After many themes (it would have been perfect for) came and went, I was left with the 2023 options, and I picked challenge #3:

Focus on the Fabric!

Because really, what else is there to this shawl? It's all just one single piece of fabric, with fringe, made from the fabric, knotted on to match the design woven into the fabric. 

What the item is: A fringed Shawl

The Challenge: Focus on the Fabric

Material: Wool Plaid

Pattern: None, just the dimensions of the shawls in an 1890's Sears catalogue as reference

Year: Pretty much the whole Victorian era

Notions: none, all the fringe came from unraveling scraps of fabric, so it's really all just the fabric.

How historically accurate is it? The fabric and dimensions are accurate. My fringing method? Probably not. I believe it would have been more accurate to unravel the edges of the shawl to make the fringe, rather than unraveling fabric scraps to get the thread then knotting those threads onto the edges of the shawl to make the fringe. When I began this project 4 years ago I valued dimensions over method. Thus a project that took way too long to finish.

Hours to complete: Too many. 4 winters of working on this thing between other projects.

First worn: This winter I guess. I don't have a specific date I can recall.

Total cost: The fabric cost me $4 at a thrift store years ago.




Tuesday, January 16, 2024

The Strawberry Sacque (La Fraise Robe a la Francaise) ~Final Facts

 My Strawberry Sacque was absolutely my biggest, bestest, most impressive, make of last year (even if I did have to take a few short cuts to get it done in time. . .), and I knew it would be back at the beginning of the year when I was planning my to-do list for 2023.



(Yes, I always have some sort of list of sewing goals for the year. No, I don’t share them. Yes, they’re always over ambitious. No, I never complete everything on them.) Thus, when the Historical Sew Monthly challenge list came out last January I eagerly searched it to figure out which challenge my Strawberry gown would best fit. 



Challenge #8 “All Tied Up” - Make something that closes with ties, or uses knots/bows as a decorative feature.




After reading through the list, this seemed like the best category to put my gown in. Part of the fit of the Robe a la Francaise is controlled by ties or lacing in the back of the lining, so that would make it qualify for the challenge, right? Add in the fact that the petticoat fastens with ties and the gown is decorated with three bows (one on the stomacher and one on each sleeve), and this ensemble definitely seemed to fit the challenge. 




So, now that I’ve shared all the details about making the gown, petticoat, and trim, across 6 other blog posts (I’ll link all those blog posts at the bottom of this one in case you missed one or just want a re-fresh.), here are the HSM facts if you just want a summary of the process: 




What the item is: Strawberry Sacque, if you prefer English, or La Fraise Robe a la Francaise, if you prefer French.

The Challenge: All Tied Up - the lining of the gown is tied up with lacing to make the fit adjustable, the petticoat fastens with ties, and the gown is decorated with 3 bows.

Material: Silk taffeta trimmed in silk organza, with a linen lining. Silk dupioni for the bows and strawberries.

Pattern: Simplicity 8578 with some alterations to make it more historically accurate and the sleeve pattern piece from the Larkin and Smith English Gown pattern.

Year: circa 1780

Notions: thread, covered button kit, loop trim, twill tape, and zip ties for boning.

How historically accurate is it? With the alterations I made the pattern is fairly accurate when the shapes are compared to the Sacque patterns of this era in Patterns of Fashion 1, The Cut of Women’s Clothes, and Costume Close-up. The fabric choice is also accurate, as are most of my construction methods. The gown is entirely hand sewn, but I ran out of time and had to machine sew the petticoat. My trim choices are inspired by the era but I can’t claim they’re 100% accurate. I’m not aware of gowns trimmed in colored sheer silk, only white sheer, the loop trim is only vaguely inspired by real fly trim (plus it’s polyester. . .) and the strawberries are pure fantasy (though if anyone can prove me otherwise on that last one please do!). Also, I used zip ties for boning in place of whale bone and a modern covered button kit (with E6000 to hold it together) in place of wooden or bone button forms. 

Let’s give this dress 75% for accuracy.

Hours to complete: I wish I knew! So many! I began the dress two months in advance, and sewed up until the very last minute.

First worn: October 21, 2023 for Fetes Historiques St. Louis

Total cost: $122 for the taffeta, $46 for the organza. The linen for the lining was left over from other projects, as was the pink dupioni for the bows and strawberries, and the red silk for the other strawberries was free, harvested from a top. Silk thread is about $2.50 a spool and I used atleast one full spool. The loop trim was $1.50 per roll, and I got 9 rolls. All other materials and notions were deep stash, left over from other projects or gifted to me at some point in the past. This brings the total to at least $184 for the whole thing - definitely one of my more expensive projects!




If you missed any part of the story of this dress, here's the whole series:



Sunday, January 14, 2024

Teal Velvet, Sparkly Silver, and Fantastic Sleeves for my Sister

 I've been dragging my feet when it comes to taking down my Christmas decorations. The stockings hung by the fireplace, the Christmas tree set up by the window, the nativity on the mantle, and the goat with the Santa hat hanging out in the entry way - not to mention the various wall hangings and nick-nacks scattered around. But Christmas is over. The historic 12 days were completed last weekend, so it's past time to take it all down. 


I'm going to procrastinate just a few minutes longer however, and take a moment to share about my sister's Christmas dress.


My sister came across some fabulous teal stretch velvet in the clearance section at Hobby Lobby and called me to ask "How much do I need for a Christmas dress?"



"That depends on the style of dress you want," I responded, "What are you thinking?"


"Remember that dress with the really flowy sleeves that you made me? You also made me a Marauders Map tunic from the same pattern? How about a dress like that?" She asked.


I remembered. It was the Lammas Tide pattern by Mother Grimm - I made my sister and I several items from it a few years back. I told my sister how much fabric to buy, and she did so, sending the fabric home with my mom when she went down to visit. My mom got the fabric to me, and the weekend after Thanksgiving I found the Lammas pattern in my file cabinet of printed off PDF patterns and made the dress.


Per my sister's request, I gave the dress the longest, flowy-est sleeves available in the pattern,


My sister also asked if the waistband and neckband on the dress could be metallic silver. I said I'd see what I could do, and thankfully the City Sewing room delivered with a very shiny metallic silver textured knit. The silver stuff didn't have a ton of structure to it, and I was worried it would be itchy against my sister's neck, so I backed it with some gray jersey. (Actually left over from these tops I made for the two of us years ago. It pays to save your fabric scraps!) 



I personally loved how the double neckband looked, a fun element I might just have to remember neck time I sew myself a knit top!
And my sister? 


She was absolutely thrilled when she came home for Christmas and found the dress waiting for her in a closet at my parents' house! She wore it to church on Christmas Eve and to one of our family Christmas gatherings!
I'm glad she found the fabric and requested the dress, it was a lot of fun to supply her with a Christmas Dress again this year!




Friday, January 5, 2024

The Petticoat for the Strawberry Sacque (La Fraise Robe a la Francaise)

 The trim on the petticoat to go with my Strawberry Sacque was all set to be done just right. I had to take some short cuts on the gown trim due to time constraints, but the petticoat trim was begun well in advance and going according to plan. That plan just fell apart in the end.


As I said, everything began beautifully. The petticoat would feature two organza ruffles on the front to be visible where the gown skirt was open. A wide one at knee level and a narrower one, gathered down the middle, at the hem. I cut these ruffles out the same day I cut out the gown and petticoat. 



I started roll hemming the ruffles weeks in advance between elements of the gown construction.


Then time got away from me as I was frantically finishing my gown. So the day before the ball I gathered the ruffles, added my fake fly trim loop trim stuff, and sewed them onto my front petticoat panel. The bottom ruffle went across the whole width of the front panel, and the top ruffle just went across the "center half" of the front panels, as that's all that was supposed to be seen between the front edges of the gown skirt.



And one hour before I needed to leave for the ball venue, that's still all I had done on the petticoat. A decorated front panel. Completely separate from the back panel. No hems. No pleating. No side seams sewn. no waist ties. In short, my petticoat still needed to be made. 


This picture expresses my feelings on the matter. After hand sewing and hand trimming the entire gown, it was time to resort to the sewing machine.


Let the wailing commence. I pleated the front and back panels and bound the upper edges in twill tape - leaving long tails to function as waist ties.


I sewed up the side seams, and didn't bother hemming the pocket slits - what was the point?


Finally, horror of horrors, I machine sewed the hem. 

I don't recall ever resorting to a machine-sewn hem on one of my historical ensembles before, but with the time crunch I was on here there was really no other option. (It's better than the gown, which didn't really have a hem at all, I just pressed up the seam allowance and called it good for the evening. . . Right??)

Let's focus on the upside - I got the petticoat done, and worn under the gown you couldn't tell it was machine sewn.

Even the machine-sewn front hem was hidden under the petticoat trim.


However, there are definitely a couple issue with this petticoat I plan on fixing before I wear it again - The gown skirt opening sits wider than I'd anticipated so my top ruffle isn't wide enough. the unfinished edges are visible when worn. 


Thankfully I have leftover peach organza and a bit of extra trim so I can fix that issue before I wear the gown again - and while I'm at it I can add strawberries to that ruffle to match my inspiration gown.

Queen Charlotte
Thomas Gainsborough, circa 1781

And while I'm fixing the trim, I might just go back and rip out that machine sewn hem and hand sew it properly as well!



If you've missed any part of the story of the Strawberry Sacque, here's the full series: